The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before
Variety Design Director: Chris Mihal Director of Photography: Bailey Bernard Art Director: Cheyne Gateley Photographer: Andrew Hetherington Heidi: Can you talk us through your process preparing for a celebrity shoot like this? Andrew: After the initial email from Variety PD Bailey Franklin confirming subject, date and location I checked in with him to see if they had any specific creative direction in mind so I could start wrapping my head around what I needed to do to get the ball rolling my end. If I recall we only had 5 days to pull it together, two of them being the weekend so things needed to happen swiftly
Elysa Weitala Who printed it? HH Imaging in San Francisco printed the photo cards. I’ve worked with them on a few other projects and they are wonderful! Great quality prints and awesome people! The custom blue box was printed by Packlane and the branded wrapping paper was from Spoonflower
In his new book 42nd and Vanderbilt, photographer Peter Funch demonstrates how humans really are creatures of habit. Over the course of nine years, the Dutch creative stood outside Grand …
This might seem like a long story, but bear with me. Back in the Spring, as I walked across Central Park with Patrice, a gray-robed Chinese monk stepped into my path, reached out, grabbed my hand, and put a wooden-beaded bracelet on it
The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.
A Latvian artist has created a series of photographs that provide a sarcastic commentary on vanity and women’s role in society. The work depicts female models using some of the … Read more The post Weird beauty products ridiculed to oblivion in this fantastic photoshoot appeared first on Lost At E Minor: For creative people
Julia Hanley, Wonderful Machine Here at Wonderful Machine, we pride ourselves on being experts on all things photography and production. When working on a big shoot, one of the first steps towards a successful outcome (right after you’ve been awarded the project) is sourcing and booking a solid crew.
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The New York Times Digital Photo Editor: Sara Barrett Photographer: Zach Gross Heidi: Can you give me a little back story on the project? Zach: I started to show my newly edited portfolio around to photo editors. I reached out to Sara; we were originally in contact about a year earlier when The New York Times wanted to publish a photograph of Kalief Browder that I made a few years ago. She agreed to meet and review my new portfolio, we chatted about my work and the various projects she was working on with photographers