Last Thursday, New York began its long goodbye to Pina Bausch.
One of my favorite Facebook pages is the mouthpiece Downwit DeSlant. It is written so eloquently and personally that I originally thought there was an actual person in the world named Downwit
Gilbert & George appear this afternoon smartly dressed in their signature tweed suits, polite and well groomed.
Art director George Lois redefined advertising in the ’60s and ’70s to produce some of the most lasting imagery of our time. But his influence famously extended to the world of editorial as well.
Still from Thinspiration by Seychelle Allah and Rhett LaRue This year’s program for the seventh traveling, bi-annual Aboveground Animation show includes a wide array of works by twenty-five international artists working in animation and related media. With an evening event of back to back screenings followed by a live performance by Mirror Mirror at Ramiken Crucible on Friday, and a subsequent online exhibition presented by DIS , Aboveground Animation permeates through the new, quirky and sometimes sinuous directions in hand-made animation and three-dimensional rendering. While a return to the human body and meditations on figurative forms—along with a tendency towards electronic music in favor of dialogue—is prevalent throughout many of the works on view, the lack of conceptual continuity for this grouping of videos is actually rather refreshing.
Following Richard Phillips’s video portrait of Lindsay Lohan , Gagosian Gallery presents another piece for “Commercial Break,” presented by the Garage Center for Contemporary Culture at the Venice Biennale.
Manolo says, because nothing says pop music like Moldova and unicycles.
Casting Agent Natalie Joos meets up with some of her favorite discoveries for a face to face chat.